Writing an autobiography requires certain skills as well as brainstorming upon your own experience. Pick up some ideas about the structure right here!

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My Life Experiences Described in Autobiography

I was born in 1999 in Brussels, Belgium. As for my parents, my father is engineer and my mother is university professor. In spite of the fact that my parents were working a lot, they always tried to find enough time to devote for me and for my smaller sister. We were growing in the atmosphere of love and respect.

My parents gave me a lot of essential knowledge and lessons that I will remember all my life. My father taught me to be fearless and independent. By his example, I learnt to be concentrated on what I am doing, to look calmly for the solution in any situation and to overcome difficulties. My mother taught me to be caring and respectful to the others. My parents were the first role models that I was taking example of while trying to be a good person. They taught me to care about the others. I was helping my little sister with her homework as well as always asking if my grandparents needed something that I could help with.

My parents were immigrants: my father came from the USA and my mother’s native land is Poland. So I grew up in the atmosphere of diversity of cultures and languages. It made me open-minded and interested in the cultures of different people of the world. I was travelling a lot with my parents always discovering something unique and distinguishing about any country I visit. Such diversity also made me multilingual: I fluently speak English, French and Polish. I am keen on foreign languages as well. I try to learn Spanish by myself currently.

I have finished my secondary school with the very good grades. That gave me a possibility to enter to a college of my dream. At the college I found myself in even more multinational atmosphere. I made friends with my classmates from Italy, Spain and China. I am studying economics. Even if some subjects seem difficult for me to understand everything fully, I try my best in order to receive nice grades. I work a lot at the college library and make deep researches with the use of online databases in order to get to know more about this or that subject.

I am also a member of students’ charitable organization. We make small but important events for the children at the hospitals in order to raise their mood. I am really proud that I can benefit in such a way for the community I live in.

I am also a member of students’ basketball club. I devote a lot of time to sport. Firstly, I like it as it makes me stronger and healthier. Secondly, I believe that physical activities help to concentrate on the studies themselves as being a sportsman I am not getting tired so quickly and my brain can support more load even during the hectic exam periods.

Unfortunately, I am not a leader by nature. I am rather calm and concentrated person. Though, I can do what I need to do stably and continuously until reaching a certain goal. I always try to concentrate on result. I am good at doing repetitive work that may seem boring for the others. I know my weaknesses and I accept them, but I am trying my best to work on my strengths in order to show myself in the best way for the people.

I plan to apply for master’s scholarship and to go on a traineeship abroad. In future I would like to work for a big multinational company where I hope to build a successful career. “Struggle to achieve the best, with no excuses”, that’s the motto I created for myself and I try to follow it in my everyday life.

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Alfred Hitcock won the global acclaim as one of the most unusual, intriguing, and provocative film directors. Hitchcock was known under the name “master of suspense,” and his horror film Psycho produced in 1960 became a genuine breakthrough in the film industry of those times. Before Psycho, the public consumed puppet-like horror monster films in the gothic style, while Psycho showed a new verge of human horror – the human psychopathy (Collins, Collins, & Radner, 2012). Besides his original ideas and an abrupt change of the horror genre, Hitchcock was famous for his witty and eloquent mise-en-scene arrangement; an attentive viewer could find out much more than was shown or said in particular film parts. One of the most notable expressions of Hitchcock’s directing talent may be traced through his skilled use and arrangement of scenes’ mise-en-scene in Psycho as well. This paper is dedicated to the scene of Norman Bates’ encounter with Marion Crane, a newcomer to his hotel.

As Lewis (2013) described it, a close scene reading allows the viewer to understand very much about Norman. For instance, Hitchcock intentionally made the make-up and hair of Norman look most unremarkable, which makes it easy to mistake him for a normal, ordinary person. Unfortunately, this peculiarity played to the advantage of Norman, since an odd, crazy, or even untidy appearance might have scared Marion off and she could leave the hotel, but that never happened. Another creative technique of showcasing Norman was half-lighting his face and keeping another half in the shadow, which implies his dual nature and his criminal, psychopathic inclinations hiding behind normal, even dull appearance.

Other elements of the scene are highly eloquent in terms of describing the nature of Norman’s abnormality and even its roots. His behavior and gestures, a set of mannerisms he displays, as well as the way of tucking his hand between his legs – all these hints suggest a feminine conduct of a momma’s boy he really was. Moreover, his manner of clothing also gives much additional information about his character; as Prince (2004) indicated in the analysis of Norman’s apparel, wearing a sports jacket without a tie, having an open collar – all these elements of style suggested arrested or delayed psychological development of Norman at some point of reaching maturity. For the culture of the 1960s, it was quite unacceptable for a hotel owner to be dressed like that, so Norman’s form of dressing implied the informal atmosphere and non-serious attitude to his duties of a hotel owner and actual administrator.

Finally, it is noteworthy to analyze the repeated inclusion of a clear shadow of Norman Bates in various scenes, including the discussed one, on the walls. This effect was achieved with the help of low-key, high-contrast lighting to show Norman’s dual nature and dark side of his personality visually. That dual nature accompanies him everywhere and is an integral part of him no matter how politely and appealingly he behaves at the moment (Bellour, 2000). A final interesting element of the scene worth mentioning is the way in which Norman unconsciously (or consciously, but not-noticeably for Marion) manipulates the taxidermic crane on his wardrobe. This act of “eating like a bird” is highly symbolic, since the puppet of the crane has the same name that Marion Crane does, which implies the rise of Norman’s plan to assume control over a human being similarly easily as he did with the stuffed bird.

As the presented mise-en-scene analysis suggests, Hitchcock was indeed a master of film production and his Psycho is remarkable in numerous ways, walking down into history as one of the world’s best films ever made. Careful watching of the scenes meticulously crafted by Hitchcock may reveal much about characters and further events. Hence, Psycho is worth not only close watching as a piece of horror film art, but also as a multi-layer, diverse, and data-rich composition offering much more for viewers seeking deeper layers of meaning.

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